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Circulation and impact on society

The image depicts an older lady buying cinema tickets at the cashier desk.

Image credit: photographed by Toma for Unsplash

How do “lasting” star images carry the affective memory of film heritage and narratives of social change? How does the visibility of older stars in popular genres like comedy articulate, but also drive social change? And how do such representations relate to broader changes in perceptions of old age and well-being?

To account for the current transformations in digital film production and distribution we understand “cinema” to include a broad range of audiovisual narratives and screening outlets. These include streaming formats ranging from feature films to drama series, which are growing in importance in European film production and distribution, particularly in the wake of the COVID pandemic. We assume that narrative films translate complex social issues into accessible and memorable emotional experiences, shaping what audiences perceive as relevant and representable. We further assume that as an art form designed for shared experiences, cinema has a strong potential for social inclusion, participation and empowerment.

Philosophers such as Alan Badiou and film scholars such as Miriam Hansen and Ashis Rajadhyaksha have called cinema the most democratic art form. Audiovisual narratives attract audiences which cut across differences of race, class and gender and create a forum for intersectional communication, which includes cross -generational communion.

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AGE-C contributes towards the creation of a European research space by bringing together an international team of researchers whose expertise covers an important share of the EU’s and its neighbors’ territory. Together we conduct and empirical study of how filmmakers and audiences view and interpret issues of old age and gender in European cinema. Our research helps us better understand the current state of European cinema and has further implications for health care and cultural policy
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