Pr. Raphaëlle Moine
Pr. Raphaëlle Moine
Université Sorbonne Nouvelle, Paris, France
About me
I am Professor of Film Studies at the Université Sorbonne Nouvelle (Department of Film and Audiovisual Studies), where I was appointed in 2009. Previously I worked as a senior lecturer at the Université de Nancy and at Paris Nanterre Université, where I was Professor of Film Studies from 2005 to 2009. Since 2014, I have been Head of the Doctoral Programme Arts & Medias (Ecole doctorale Arts & Médias) at the Université Sorbonne Nouvelle. My research work, combining film analysis, gender studies and cultural history, focuses on film genres, French cinema (conceived transnationally), popular spectacular forms, and the them of ageing. From Spring 2019 to spring 2023, I was Co-I with Dr. Mary Harrod (PI, University of Warwick) of the AHRC-funded international network Producing the Post-National Popular: The Expanding Imagination of Mainstream French Films and Television Series.
Contact
E-mail: raphaelle.moine[at]sorbonne-nouvelle.fr
Selected publications
Moine, R. (2021), Acting Funny: A Counter-Reading of Huppert’s Star Persona. In Nick Rees-Roberts, Darren Waldron (Eds), Isabelle Huppert. Stardom, Performance, Authorship. London: Bloomsbury, 177-196.
Moine, R. (2018), Stereotypes of class, ethnicity and gender in contemporary French popular comedy : from Bienvenue chez les Ch’tis (2008) and Intouchables (2011) to Qu’est-ce qu’on a fait au Bon Dieu ? (2014). In Studies in French Cinema, 18 :1, 35-51.
Moine, R. (2018), The Concierge in Contemporary French Cinema. In Philips A. & Vincendeau G. (Eds.), Paris in the cinema : beyond the Flâneur. London: British Film Institute, 146-156.
Moine, R (2017), Saint Laurent on Screen: Fashion Icon, Doomed Artist, or Celebrity?. In Fashion Theory, vol. 21, n°6, 733-748.
Courcoux, C-A., Le Gras G, & Moine, R. (2017) (Eds), L’Âge des stars : des images à l’épreuve du vieillissement. Lausanne: L’Âge d’Homme.
Moine, R. (2017), Sous le signe de l’excès : le troisième âge de Depardieu entre déchéance et réjuvénilisation. In Courcoux, C-A., Le Gras G, & Moine, R. (Eds.), L’Âge des stars : des images à l’épreuve du vieillissement. Lausanne: L’Âge d’Homme, 76-93.
Moine, R. (2017), Vies héroïques : biopics masculins/biopics féminins. Paris: Vrin, « Philosophie et Cinéma ».
Moine, R. (2015), Contemporary French Comedy as Social Laboratory. In Fox A., Marie M., Moine R., Radner H. (Eds.), A Companion to Contemporary French Cinema. Malden (Mass.): Wiley-Blackwell, 233-255.
Moine, R. (2015), The Contemporary French Biopic in National and International Contexts. In Tom Brown T. & Vidal B. (Eds), The Biopic in Contemporary Film Culture. New York/London: Routledge, AFI Film Readers, 52-67.
Moine, R. (2008), Cinema Genre. Malden (Mass.): Wiley-Blackwell.
My AGE-C story
I’ve already explored the question of ageing in cinema through the prism of ageing stars (Depardieu, Huppert), examining the new visibility of ageing characters, actresses and actors in contemporary French cinema, as well as its limits. For me, the AGE-C project is a fantastic opportunity to broaden my scope to include European overview and to work collectively, with established researchers and a team of talented post-docs, on a topical and essential issue for graying European societies and their film productions.
